黑料吃瓜网

The President鈥檚 House, situated on the University of Michigan鈥檚 Central Campus, has welcomed visitors since 1840, making it the oldest remaining building on campus. Originally one of four Greek Revival-style residences built for faculty as the university relocated from Detroit, it soon became the official residence of the university鈥檚 first president, Henry Philip Tappan, in 1852. Over time, the house evolved into a graceful Italianate mansion, undergoing multiple additions and modifications that reflect its storied past.

As you wander past its stucco-over-brick walls, bracketed eaves, and Doric-columned porch, you鈥檙e tracing the architectural narrative shaped by successive presidents. In the 1860s, Erastus Otis Haven added a third story and kitchen wing; in the 1890s, James Burrill Angell oversaw enhancements that included a semicircular library wing. Through the early 20th century, further renovations brought sun parlours, sleeping porches, glassed-in plant rooms, and stone terraces, marrying function with charm.

Today, the President鈥檚 House continues to serve its ceremonial role, representing a living link between the university鈥檚 past and present. Inside, you鈥檒l find inviting common rooms, a period library that hosts receptions, and carefully preserved historic details alongside modern upgrades completed most recently in 2023 to ensure accessibility and comfort. The 22-room residence, once a quiet private domicile, now quietly celebrates milestone gatherings鈥攆rom graduates鈥� receptions to community events鈥攅choing more than 180 years of intellectual and civic life.

For tourists visiting Ann Arbor, a stop at the President鈥檚 House offers a contemplative interlude amid the bustling campus. It stands as both architectural anchor and storied witness to the university's evolution鈥攆rom fledgling institution to national leader. While interior tours are generally private, the exterior鈥檚 dignified presence invites reflection on how campus life and leadership have changed, yet maintained a steadfast sense of place since the mid鈥�19th century.

Angell Hall is an academic building at the University of Michigan. It was previously connected to the University Hall building, which was replaced by Mason Hall and Haven Hall. Angell Hall is named in honor of James Burrill Angell, who was the University's president from 1871 to 1909.

Construction began in 1920, and finished in 1924 at a cost of about $1 million. An addition opened in 1952 adding auditoriums, a classroom wing, and an office wing. The addition replaced old Haven Hall, which was destroyed by fire in 1950, the 1841 Mason Hall, and two other buildings.

The building's exterior, particularly the Doric columns, was intended to match that of campus other buildings at the time, including Hill Auditorium, Alumni Memorial Hall, and the Clements Library.

On the front facade, the carving reads, "Religion, morality, and knowledge, being necessary to good government and the happiness of mankind, schools and the means of education shall forever be encouraged." The text is taken from the Ordinance of 1787.

Nickels Arcade is a historical commercial building on South State Street in Ann Arbor. It was listed on the National Register of Historic Places in 1987. The building is notable as perhaps the only remaining example in Michigan of a free-standing commercial arcade building of a type that was popularized by the Cleveland Arcade.

John Nickels owned and operated a meat market at this location on State Street. His grandson Tom Nickels inherited a portion of the property, and bought other portions of the property from his brothers and sister. Nickels hired local architect Hermann Pipp to design this building. Construction began in 1915. The first tenant, the Farmers and Mechanics bank, moved in that year. The entire building, however, was not completed until 1918, due in part to delays caused by the onset of World War I. Nickels owned the Arcade until his death in 1932, when he passed it on to his children, James and Nora.

Nickels Arcade is a 261-foot-long gallery linking State Street on one side to Maynard Street on the other. The principal facade faces onto State Street, and consists of a three-story, three-bay open portico flanked with store and office blocks. The facade is clad with a buff-colored decorative architectural terra cotta. The Maynard Street facade is similar to the State Street facade in design, but is clad primarily with yellow brick, with additional ornamental detailing of terra cotta. The gallery running between the facades is covered with a gable skylight of metal-framed wire-glass panels.

On each side of the gallery are ground-level shops which face onto the roofed passage. These shops are essentially two stories in height, some with a mezzanine level. Upper-story office windows above the commercial spaces also face onto the gallery. The arcade is floored with blocks of square red tile in black borders. The arcade is divided into three sections: the section nearest State Street continues the terra cotta cladding and detailing of the State Street facade. This section is separated from the next by a segmental archway; a similar archway near the other end separates the center section from an entrance vestibule.

The Michigan Theater is a movie palace in Ann Arbor. It shows independent films and stage productions, and hosts musical concerts.

Designed by Detroit-based architect Maurice Finkel and built in 1927, the historic auditorium seats 1610 and features the theater's original 1927 Barton Theatre Pipe Organ, orchestra pit, stage, and elaborate architectural details.

The Michigan Theater opened on January 5, 1928, and was at the time the finest theater in Ann Arbor. The theater not only showed movies, but also hosted vaudeville acts, live concerts, and touring stage plays. Over the years, Jack Benny, Bing Crosby, Paul Robeson, and Ethel Barrymore all appeared at the theater.

During a renovation in 1956, many of the original ornate designs were destroyed. After a period of low attendance, the theater was threatened with demolition when its 50-year lease to Butterfield Theatres ran out in 1978, but members of the community and local organists helped raise funds to save and renovate the theater, returning it to its original design. A second screen, the Screening Room, with a state-of-the-art sound system, seating for 200, and the ability to project films digitally, was added in 1999.

The Michigan Theater is the current home of the annual Ann Arbor Film Festival, the Ann Arbor Symphony, and the Ann Arbor Concert Band. The theater has been named Outstanding Historic Theatre by the League of Historic American Theaters in 2006.

The Kempf House Museum, also known as the Henry Bennett House or the Reuben Kempf House, is a house museum in downtown Ann Arbor. It was originally built as a single-family home in 1853. It was listed on the National Register of Historic Places in 1973.

Henry DeWitt Bennet was the postmaster of Ann Arbor during most of the 1850s. In about 1853, Bennett had this house built. Bennett was later the secretary and steward of the University of Michigan. In 1886 Bennet retired and moved to California, selling his house to a neighbor. The neighbor rented it out for a few years, and in 1890 sold the house to Reuben and Pauline Kempf.

Both Reuben and Pauline Kempf were musicians, and they give music lessons in their house. Pauline taught vocal lessons and Reuben gave piano lessons. The Kempfs were very active in the community music events. Pauline served as the choir director of the Congregational Church, and Reuben was the first organist and choir director at Saint Andrew's. Reuben also served as the music director of the University Glee Club and the Michigan Union Opera.

The Kempfs turned their house into a local center for the musical arts often hosting diverse groups from students to dignitaries. Among their guests are musical figures such as Ignacy Jan Paderewski, Victor Herbert, and Ernestine Schumann-Heink. The Kempfs lived in the house until their deaths: Reuben's in 1945 and Pauline's in 1953.

In 1969 the city of Ann Arbor acquired the house and turned the house into a historic museum. The house has been restored, and includes a music studio that looks as it did when the Kempfs were first giving lessons. The house is open for tours weekly.

The Bennett House is a frame, 1-1/2 story, temple style Greek Revival house sitting on a brick foundation. The facade has four massive, squared Doric columns, along with three frieze windows and a graceful tympanum. A small, two-room addition holding the kitchen, built in the 1890s, is attached to the rear.

Kempf House is open for guided tours on Sundays 1-4pm (except holidays), from September through December, and April through May. Tours are also available by appointment for groups or individuals. Admission is free.

Jacob Hoffstetter House stands as a striking testament to late Victorian elegance. Built in 1887 for German immigrant Jacob Hoffstetter, the two-story red鈥慴rick residence sits proudly on a coursed ashlar foundation. Guests will be drawn to its Queen Anne details鈥攕egmental-arched windows capped with carved stone keystones, oculus attic windows, king-post gable ornaments adorned with pierced trefoils, and bracketed cornices gracing the bay windows.

Jacob Hoffstetter emigrated to Ann Arbor at five years old in 1854, joining a wave of German settlers who shaped the city鈥檚 cultural character. By 1872, he had built a thriving grocery and saloon on Main Street, living above it with his wife and two sons. With the success of his business, Hoffstetter sold it in 1887 and commissioned this elegant home. Within a year, parts of the house began to serve as lodgings, most notably housing members of the newly formed Alpha Tau Omega fraternity from 1888 to 1894.

In 1937, the house underwent adaptation, converted into apartments with a new southeast entry. Nonetheless, many original wood trims were preserved. Then, in 1980, Peter Heydon restored the structure for mixed commercial and residential use, earning recognition from the Historical Society of Michigan for his careful work.

Today, the Jacob Hoffstetter House endures as one of Ann Arbor鈥檚 most handsome late-19th鈥慶entury structures and a rare relic of the neighborhood that once surrounded it. Visitors traversing Washington Street are invited to pause and reflect on its architectural flourishes鈥攁 tangible echo of the city鈥檚 immigrant heritage and the success stories that helped shape its history.

The Weinmann Block stands as a finely preserved example of late鈥慥ictorian Italianate commercial architecture, built in two stages in the 1880s鈥�1890s. Originally established by German immigrant John鈥疢.鈥疻einmann, the eastern corner section was constructed in 1885 to house his prosperous butcher shop. In 1891, his son Louis and nephew George Stein expanded the block, adding a western portion adorned with ornate galvanized鈥慽ron ornamentation designed to mimic stone detailing, a fashionable and economical technique of the day.

The building鈥檚 fa莽ade captures the attention of every passerby: arched window pediments, bracketed wooden cornice, and metal鈥慺ront fluted pilasters impart a refined elegance to the streetfront. A prominent central pediment on the western half still proudly displays the 鈥淲einmann Block鈥� name and construction date, conveying a sense of architectural storytelling that connects visitors directly to Ann Arbor鈥檚 commercial emergence in the nineteenth century.

Throughout the early 1900s, the Weinmann Block remained a bustling center of daily commerce. The original meat market operated until 1937, after which the esteemed Jno.鈥疌.鈥疐ischer hardware company took residence until the early 1980s. In later years, a development firm sensitively rehabilitated the structure into modern retail and office spaces, most recently featuring the Blue Nile Ethiopian Restaurant and other downtown establishments, while preserving its historical character.

Today, the Weinmann Block is more than just a building鈥攊t is a lively testament to downtown Ann Arbor鈥檚 layered history. For tourists, it offers both visual delight and a connection to the city鈥檚 story: of immigrant ambition, evolving commerce, and architectural ingenuity. As part of any walking tour of Ann Arbor鈥檚 historic core, this building reveals how craftsmanship and community converge on East Washington鈥檚 streetscape.

The First National Bank Building is a ten鈥憇tory limestone- and terra-cotta鈥慶lad structure that first crowned the city skyline upon its completion in 1930. Designed by local architects Fry and Kasurin between 1927 and 1930, it rose as Ann聽Arbor鈥檚 tallest building and was celebrated for its refined blend of Art Deco, Streamline Moderne, and subdued Romanesque revival detailing鈥攊ncluding broad terra-cotta verticals, decorative gargoyles, and a dignified cornice that crowns the tower.

Commissioned by Michigan鈥檚 first nationally chartered bank鈥攅stablished in 1863鈥攖he building was more than a financial landmark: it hosted the bank鈥檚 main offices and eight floors of professional suites. Nearly 5,000 people attended the grand opening in February 1929, marking the end of a roaring era before the onset of the Great Depression. By 1936, following a merger, the bank departed, and the elegant banking hall was adapted into ground鈥慺loor retail, with offices above鈥攁 change that preserved the building鈥檚 civic role while reimagining its interior life.

Despite the economic upheavals, the building endured as Ann聽Arbor鈥檚 visual beacon. Floodlit at night in its early years, it remained the city鈥檚 tallest structure until the 1980s. Its architectural finesse earned a place on the National Register of Historic Places in 1982, following purchase and renovation by First Martin Corporation in 1981鈥�82.

Today, the First National Bank Building continues to anchor downtown. Visitors admire its ornamental fa莽ade, towering presence on the corner of Main and Liberty, and ornate detailing鈥攅specially the restored banking lobby, gargoyles, and terra-cotta craft.

The Kellogg-Warden House is a single-family house located on North Main Street in Ann Arbor. It was listed on the National Register of Historic Places in 1994. It now houses the Washtenaw County Historical Society's Museum on Main Street.

The Kellogg-Warden House is a side-gable, side hall, Greek Revival half-I-house with a one-and-one-half-story gable-roof rear addition. It measures approximately twenty-six feet by forty-six feet. The house is sided with clapboard, and currently sits on a concrete block foundation, which has been faced with the fieldstones and bricks form the original foundation. The house has a box cornice with returns in the gable ends. The main facade is three bays wide, with the front door at one end. The door is flanked by four fluted pilasters. The windows are primarily double-hung sash units with two-over-two lights, save for a six-over-six window in the attic.

This house was originally located at what is now 1015 Wall Street. Although the date of construction cannot be verified, tax and sales records suggest that the original section of the house was built in about 1835. In 1837, Dan W. Kellogg purchased five contiguous lots, including the one this house sat on. In 1838, Kellogg sold them to his brother-in-law Ethan A. Warden. In 1839, Warden sold two of the lots, including the one containing this house, to his father-in-law (and Dan Kellogg's father) Charles Kellogg, who had moved to the Ann Arbor about this time. The sales prices suggest that the main portion of the house was constructed by Warden before his father-in-law's arrival.

In 1988 the house was sold to the University of Michigan. The University planned to use the land for a parking lot, but recognizing the historical significance, gave the house to the Washtenaw County Historical Society. In 1990, the house was moved to its current location on North Main. The Washtenaw County Historical Society refurbished the house and it now houses the Museum on Main Street.

The Judge Robert S. Wilson House, also known as the Wilson-Wahr House, is a historic residence constructed around 1839 for Robert S. Wilson, an attorney who relocated to Ann Arbor from New York in 1835. The house embodies the professional and political legacy of its original owner. Wilson served briefly as a probate judge and later held a seat in the Michigan House of Representatives. He lived in the house until 1850 before relocating to Chicago, after which the property was sold to John H. Welles.

Architecturally, the house is a well-preserved example of Greek Revival design, with elements that have drawn attention in architectural surveys of the region. Its most distinctive feature is the temple-style fa莽ade, complete with four fluted Ionic columns rising two stories, which architectural historian Fiske Kimball traced to the ancient Temple of the Wingless Victory in Athens. The symmetrical front portico and entry framed by pilasters enhance the building鈥檚 classical proportions, while external shutters and a stucco finish over brick complete its formal exterior. A rear addition, thought to have been built by Welles, expanded the structure and added space for a kitchen and servants' quarters.

The interior maintains a period-appropriate layout, with a central hallway and staircase flanked by parlors, and fireplaces in all principal rooms. The house remained in private hands through several generations, including a period when it was rented out by the Wahr family to student organizations. It returned to residential use in the early 20th century and was last known to be owned by Norman and Ilene Tyler after 2002. The building was listed on the National Register of Historic Places in 1972.